Well built, feels sturdy - and you can replace & customise parts. I would recommend going with the original Touche and not the SE if you want even more CC control. The level of articulations it brings to hardware synth (those funky basses and leads) and to. I highly recommend the Touche for orchestral composers who want to avoid using 2 or 3 sliders at once. Touch really meet and exceeded my expectations. The top board provides the main expression surface. Instead, Touch is built around a single contact surface with both directional information and pressure sensitivity. It makes a departure from more common ergonomics like faders, ribbon sliders or wheels. ![]() The controller itself is responsive and well-constructed. The Touch is a solution that offers expressive control in a unique format. ![]() The included software synths are plentiful. The hardware still feels high-quality and its shapely, all-black design exudes quality. Reviewed in the United States on JStyle: Touche SE Verified Purchase This product is a must-have for songwriters, composers, and producers. It is a physical instrument after all.Ī small con is that it takes about 10 seconds to save any new CC controls you assign and that it took me about an hour to find the right way to load Touche only as a midi instrument (without using Lie). A beautifully engineered hardware instrument, the Touche SE is able to translate anything from the softest touch to the roughest rhythms with pinpoint precision. The Touch SE is essentially the same as its predecessor albeit without the original’s CV and MIDI connections. It might take a few days to get used to controlling the Touche on one hand, while playing your keyboard with the other - but it's worth the practice! An extra good feature is that you can control the sensitivity of the Touche (how responsive it is to your movements). You can even set up your own custom CC curves (like exponential or linear or even draw one). I'm very pleased with the results: smooth expression, much more detailed than what a slider can get you! The best feature is that you can use two CC's at once (example: vibrato and expression) and have them flawlessly combined into each other. I got the Touche for controlling orchestral and ethnic instruments, specifically for mapping dynamics, vibrato and expression to the different axes of the Touche.
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