![]() Improving the user experience and plug-in handling means that high-end audio productions can now be realized in no time."Ĭustomizable interface: SOUND FORGE Pro 13 offers an even more efficient way of working and an improved user experience thanks to its customizable user interface, new icon design and revised docking. "SOUND FORGE Pro delivers levels of efficiency and precision unheard of in any other audio editor. "With version 13, we have concentrated on the core strengths of SOUND FORGE Pro, and have once again addressed the needs and wishes of our users," says Thomas Wolf, Product Owner SOUND FORGE. With version 13, users now get the high-quality iZotope Ozone 8 Elements and RX 7 Elements plug-ins. SOUND FORGE Pro 13 also includes numerous new effects and plug-ins for mastering and cleaning audio files. The new Peak Meter V2 allows reliable peak level measurement of digital audio signals according to international industry standards, and shows the precise, current level of an audio signal in real time. Thanks to high-quality audio visualization tools, SOUND FORGE Pro 13 offers more possibilities when analyzing music, speech, and sounds, and displays them both graphically and dynamically. The enhanced VST2/3 engine and ARA2 interface extension offer greater stability and speed when using plug-ins, and allow users to work faster and more precisely. The new icon design provides a clearer interface, showing all important audio editing features at a glance. The UI can be adjusted in four color levels – White, Light, Medium and Dark – depending on differing environmental and lighting conditions. ![]() SOUND FORGE Pro 13 comes with a fully-customizable new interface that can be personalized to fit individual preferences and workflows. With this latest version 13, MAGIX presents a comprehensive update specifically designed to meet the requirements of professional audio producers. I'd use 9.0 and above only for work with surround mixes.For over 25 years, SOUND FORGE Pro has been an industry-leading provider of professional software solutions for recording, audio editing and mastering. The other tools work on clip or track level and have different applications. I find that DX effects from Izotope, and VST and ASIO support in REAPER and Foobar2000, complement this deficiency, while still allowing to use Sound Forge for sample-exact editing. The effects and processors included with Forge prior to version 9 are not up to the current professional and 'HD-era' standards. Overall, I'd say 7.0 is more stable, and allows to use modern native plugins (ac3plug pro, atracplug), as well as some DirectX ones (like Izotope Ozone), which didn't work in the previous release. And it does feel like a point version of 6, much like 4.5 was, unless you count adding the Sony logo on all dialogs a significant improvement. Sony Sound Forge 7.0a is the last fast version out there for editing in stereo. I feel like they were struggling to justify releasing major versions, and had to add superficial features to the package. After that the program acquired more weight and got slower. Here I am describing product versions 4 through 7. (GoldWave might be an exception, but it of different class.) This is not the case with any Adobe products (either old or new), or freely distributed software, which feel more or less foreign, like Linux. Navigating through menus and dialogs, and using keyboard shortcuts, don't have to be learn a new. Therefore its interface appears intuitive to a person who has worked with Windows, while also being fast. The best part about Sound Forge is that it feels like a native Windows program.
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